William Blake at Tate Liverpool

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Satan smiting Job with boils

Tracey Emin’s bed was being shown as part of an exhibition which is meant to explore the connection between this controversial work and the paintings of William Blake.

According to the Tate

This new display affirms Blake’s Romantic idea of artistic truth through existential pain and the possibility of spiritual rebirth through art, shared in the work of Tracey Emin.

I have to say I found it difficult to see any real connection – if there is one it is rather tenuous. But it was great to see a significant collection of magnificent prints and drawings by Blake, most of which I hadn’t seen before “in the flesh”, displayed together in Liverpool. A real treat.

William Blake is something of a hero of mine. As well as a visual artist – a painter and printmaker – he is also well known as a poet. He was a political radical – a supporter of the French Revolution – and a religious visionary.

 File:William Blake by Thomas Phillips.jpg

(Picture source : Wikipedia)

He was also an innovator, developing a printing technique known as relief etching and used it to print most of his poetry. He called the technique illuminated printing and the poetry illuminated books. Many of the works on display in the exhibition were created using this process.

This is just a small selection of them

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Pity (c 1795)

This image is taken from Macbeth: ‘pity, like a naked newborn babe / Striding the blast, or heaven’s cherubim horsed / Upon the sightless couriers of the air’. Blake draws on popularly-held associations between a fair complexion and moral purity. These connections are also made by Lavater, who writes that ‘the grey is the tenderest of horses, and, we may here add, that people with light hair, if not effeminate, are yet, it is well known, of tender formation and constitution’. (Tate website)

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The Body of Abel Found by Adam and Eve c.1826

This work shows Adam and Eve discovering their dead son. His brother Cain, the murderer, flees the scene. Despite his evil deed, Cain, appears as an ideal male figure. (Tate website)

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Nebuchadnezzar 1795–c.1805

 

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The Night of Enitharmon’s Joy (formerly called ‘Hecate’) circa 1795

Enitharmon is an important female character in Blake’s mythology, playing a main part in some of his prophetic books. She is the Emanation of Los, and with Los gives birth to various children, including Orc. Although symbolising spiritual beauty and poetic inspiration (some critics have argued that Blake’s wife Catherine was the inspiration for the character) she is also used by Blake to represent female domination and sexual restraints that limit the artistic imagination (Tate website)

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