A little before we clocked in and joined the production line in Tate Exchange we’d seen a series of 8,627 photographs and a film showing someone clocking in on the hour, every hour, 24 hours a day for a full 12 months during 1980-1981. One Year Perormance was undertaken by Taiwanese artist Tehching Hsieh in his studio in New York.
Marking the occasion by taking a self-portrait on a single frame of 16mm film, the resulting reel documents a year in his life at approximately one second per day – a pace that is polar opposite of the enduring length of the original performance
At the beginning of the project he shaved off his hair and we can see it gradually grow back in the series of photographs and the film.
It seemed such an odd thing to do. It meant that he was unable to sleep properly for a full year. He missed 133 clock-ins, and the reasons are documented on a note which is displayed amongst the contextual materials included in the exhibition along with letters, statements, uniforms, photographs, the punch clock itself and a time card. The main reason given was, not surprisingly, sleeping through.
According to an interview in the Guardian the artist, the work
recalls the labours of Sisyphus, who, in Greek mythology, was forced to roll a rock repeatedly up a mountain, only to watch it fall down again
while it may seem to convey a message about the tedium and conformity of industrial labour, he tells Guardian Australia he is “not a political artist, although people are at liberty to interpret my work from a political standpoint … I’m interested in the universal circumstances of human life”.
Although clearly a crazy thing to do, there was something rather fascinating about the project and, personally, I can certainly see a political message about the alienation of work and how people are enslaved by work that is certainly relevant in this day of zero hour contracts and so-called self employed status workers employed by the likes of Uber and courier services.