I’m still far from finished writing up our trip to Australia, but I’d thought I’d take a short diversion to report on our trip to the Hepworth Gallery in Wakefield on New Year’s Day. It’s become a bit of a tradition for us to drive over a quiet M62 to visit this excellent gallery. Last year we didn’t make a subsequent visit so it’s a while since we were last there – well, 12 months exactly!
There had quite been a few changes with new exhibitions in four of the galleries and a temporary exhibition of work by the Polish artist Alina Szapocznikow which was coming to the end of it’s run.
Gallery 1 featured a range of works from the Wakefield collection, including the beautiful elm sculpture by Henry Moore shown above and works from Barbara Hepworth, and Nuam Gabo,
The next two galleries concentrated on works by Henry Moore and Barbara Hepworth, both born locally in Castleford and Wakefield respectively.
In the first room, works by henry Moore included this unusual (for Moore) bronze head Open Work Head No. 2 (1950)
some of his drawings of miners from local pits during WWII
and a series of lithographs of Stonehenge that he had personally donated to the Wakefield collection.
The next, large room, was a comprehensive survey of Barbara Hepworth’s work including sculpture, drawings, prints and even her library of books
We had a brief look around the next two rooms which explore Hepworth’s working methods and display examples from the Hepworth’s collection of her plasters as they’re on permanent display and we’ve seen them many times before. But the next two rooms had new displays – more works from the Hepworth’s collection
and an exhibition Daughters of Necessity by British artist Serena Korda, featuring some of her own works displayed together with ceramics from the Hepworth’s collection. The Hepworth website tells us
Working with ceramics for several years, Korda combines her experimental approach to the material with her interest in the acoustic properties of objects. For The Hepworth Wakefield, Korda has created a new work, Resonators, comprising five large, richly glazed vessels with openings at each end. Visitors are invited to interact with the work by placing their ears to each vessel to hear a range of bass-like tones.
The exhibition also features a new presentation of Korda’s ceramic sound installation Hold Fast, Stand Sure, I Scream a Revolution, which was premiered at Glasgow International Festival of Visual Art in 2016. This work is made up of 29 individual porcelain mushrooms suspended from the ceiling, which will be played as bells in public performances during the Ceramics Fair in early May 2018.
I really liked these works which were a combination of art, science and music.
There were some beautiful ceramic pieces selected by the artist too
The temporary exhibition Alina Szapocznikow: Human Landscapes was an extensive survey of the work of this Polish artist and
highlights how the artist’s work developed from classically figurative sculptures to her later ‘awkward objects’, which are politically charged and overlaid with Surrealist and Pop Art influences. (Hepworth Website)
features more than 100 works created between 1956 and 1972 including drawings, photography and sculpture, incorporating Szapocznikow’s characteristic use of cast body parts, many of which she transformed into everyday objects like lamps or ashtrays.
Hopefully, I’ll find some time to write up more about this.