After a quiet January due to both of us suffering from a bad cold and chest infection, we had a couple of busy days last weekend. On the Friday we had tickets to see the St Petersberg Philharmonic at the Bridgewater Hall with our son (the tickets were his Christmas present) so we decided to make an afternoon.
First stop was the Manchester City Art Gallery to take a look round the major exhibition of photographs of Manchester and some of the surrounding towns by Martin Parr, the well known documentary photographer, who studied at Manchester Polytechnic (now Manchester Metropolitan University) between 1970 and 73. (He was almost kicked out, apparently, for failing a photography theory course!)
The city made an impression on the young lad from the suburbs. He’s quoted on the exhibition website as saying
“I remember so well arriving into Manchester in 1970, having traveled from the safety of suburban Surrey. It was exciting and felt very real. “
As a keen photographic student should, he explored Manchester, taking photographs of the city and it’s inhabitants. And since leaving the city he’s returned on several occasions . This exhibition includes photographs from his student days and subsequent visits to the city. And the City Art Gallery also commissioned him to create a new body of work on Manchester and its inhabitants in 2018.
The earliest photos were largely black and white, “street photography” featuring mainly working class locals in the streets and pubs of the city, and several series of photos one featuring the homes and residents of a street in Salford,
another one of residents and staff in Prestwich psychiatric hospital, the interior of Yates’ Wine lodges in Manchester and nearby towns and a photographic game involving matching up couples who were photographed in Piccadilly Gardens.
I particularly liked the 1972 series June Street, a project with his friend and fellow photography student Daniel Meadows. They had hoped to photograph the real Coronation Street, but it didn’t exist. So instead they selected a typical street of terraced houses in Salford – June Street.
They got the residents to pose in their living rooms. The resulting photos brought back the memories of my youth as the interiors of the houses and the clothes the residents wore were very typical of the 70’s.
The people appeared to have dressed up in their best outfits and were quite formally posed – quite different from Parr’s later work which are mainly (but not exclusively) informal “street photos”.
I was never a drinker in Yates’ Wine Lodges which were but did venture inside very occasionally. But the photos, including one from the town where I grew up, really got across the atmosphere of the bare, “spit and sawdust” establishments.
These days Parr is best known for his photographs emphasising bright vibrant colours, particularly yellows and reds, with his subjects caught unawares or in informal poses. A major part of the exhibition were photographs taken during recent visits to Manchester
……………… meeting people shopping, in hairdressers, in Mosques, in cafes, at markets, in factories, at parties, playing sport and in the gay village. He has captured scientists doing ground-breaking research at Manchester University, fans of the city’s world famous football teams and the state of the art facilities at the BBC in Media City. (Exhibition website)
and was interesting to see the city from his viewpoint.
He must have took far too many photos to display full size so there was a large selection of smaller photos covering two sections of the wall.
Here’s a few of my favourites
At one time I spent hours doing this!
And these photos taken in the Working Class Movement Library in Salford bring back memories of when I was more active politically
The exhibition also included a short film with Martin Parr talking about Manchester and the exhibition and showing the printing of some of the photographs on display in the gallery.