I’ve been absent from WordPress for a few weeks – neither writing or keeping up with reading blogs I follow as I’ve been busy with work ever since Christmas. And after being glued to Zoom all day for meetings and delivering training, I’ve been less keen on spending more time in front of a computer screen during my free time. But work pressures are easing off a little so it’s time for a catch up 😉
It’s getting on to close to a year now since life has been disrupted by the pandemic. We’ve been in and out of lockdown and although I’ve been restricted to local walks for substantial periods I was able to get out to the Lakes and Anglesey during the summer. We haven’t been able to get out to concerts, the theatre, galleries and exhibitions since last March, though and I’ve certainly missed all that. I have sustained a semblance of cultural activity though, as some organisations have managed to run events on-line. So I’ve been able “attend” three virtual folk festivals, Kate Ruby’s Christmas concert and watch a few National Theatre productions . I’ve also been able to “visit” the Hay Festival, the Wigtown Book Festival, the Orkney Science Festival and the Kendal Mountain Festival all of which were run online – events I’d always wanted to visit but have never had the opportunity. Watching on screen isn’t the same as being there, of course. It’s too easy to be distracted when you’re in front of the TV and you miss the excitement of being somewhere different and mixing with other people. But, I certainly wouldn’t have been able to attend most, if not all, of these events if they hadn’t been run on-line.
Another annual event I’ve always fancied attending is the Celtic Connections Festival that’s run every January up in Glasgow. The festival focuses on traditional Scottish music international folk, roots and world music artists with concerts, ceilidhs, talks, free events, late night sessions and workshops too. It always seems like a good way of cheering up the rather dark and dismal days that follow on from Christmas.
Last December I got a tip off from Anabel , the Glasgow Gallivanter that the festival was going on-line and that early bird tickets were available for a very reasonable price of £30 that allowed access to all the concerts. So I snapped one up and was able to keep myself entertained during the dark January evenings.
There were plenty of traditional Scottish and Gaelic bands, playing jaunty music with fiddles, pipes and the like. I was able to watch concerts featuring some familiar musicians like Karine Polwart, Rachel Newton and Julie Fowlis.
The Transatlantic sessions is a project that brings traditional musicians together from, as the name suggests, both sides of the Atlantic – from Scotland, Ireland, Canada and the USA in particular. I’ve watched some programmes on the BBC over a number of years, so it was good to see them performing “live” – with a number of performers on stage in Glasgow with video links to musicians over the other side of the water.
The concert of Quebecois music – Quebecfest – featuring Vent du Nord, De Temps Antan and Grosse Ille was another highlight
But there were new discoveries too – from other traditions and musical genres
Xabier Diaz from the Gallicia region of Spain, backed by a group of female singers playing what must be a rectangular Gallician version of the bodhrán
Fergus McCreadie, a talented young Scottish jazz pianist who plays “an innovative blend of jazz and Scottish traditional music”. Many of his compositions are inspired by the Scottish landscapes, with titles such as Cairn, North, Across Flatlands, Mull and The Stones of Brodgar
Dreamer’s Circus, a Danish / Swedish trio with a contemporary take on traditional Nordic music
I didn’t watch every concert – there were too many, and there workshops too (not included in the festival ticket, though) – but certainly enjoyed the experience. It would have been better to have been there and savour the atmosphere, but that wasn’t possible. But I probably wouldn’t have been able to go up to Glasgow this January anyway so watching on my TV at home allowed me to get a taster. And it’s made me determined to get up there next year when (hopefully!) it will return to being a live event. And an opportunity to meet up with a bloggy friend too, perhaps 😉.