Leaving Blackwell we decided to drive over to, another Lakeland Arts site, the Windermere Jetty Museum, a short drive away on the other side of Bowness. We’d visited before, just before the first lockdown, but though we could spend a little time there revisiting the exhibits and enjoying a brew on the lakeside.
As it turned out we spent longer there than we expected as there were a couple of art exhibitions – normally they would probably have been shown at Abbot Hall but with that still be shut for refurbishment I guess Lakeland Arts were taking advantage of the facilities here.
First, though, we had a look around the main displays
One of the exhibitions, shown in the main building in a room with a view over the lake, featured large scale abstract watercolours by Barbara Nicholls, an artist from Cheshire.
Her technique used to create these works involved laying out large sheets of heavy weight
paper on the studio floor, which were then wetted before applying the pigments which would then begin to spread out by capillary action – just like ink dropped onto wet blotting paper. The skill of the artist is then to manipulate and control the pigment. The finished works being made up of sections from several of these sheets cut and then collated to form a whole.
These monumental watercolours emerge from a process of manipulating coloured pigment in large quantities of water. The pigments behave in a variety of ways; some gather in dark, opaque pools, others are translucent, lapping at the paper to form gentle tidal marks.Lakeland Arts Website
It was quite appropriate for paintings created by the movement of water to be displayed in a room with a view over the Lake.
The second exhibition was in the old fire station that had been relocated from Bowness village to the grounds of the museum
Dovetailing is an immersive installation by Sculptor Juliet Gutch in collaboration with composer and viola player Sally Beamish and filmmaker Clare Dearnaley inspired by luthiery (the making of stringed musical instruments).
Entering the small building we encountered a darkened room with wooden mobiles suspended from the ceiling with a film being projected onto a screen.
The mobiles were made up of wooden shapes resembling shavings produced during the planing of the wood used in the construction of a violin or viola. The film, with the soundtrack by Sally Beamish, included natural sounds, the workshop process during the manufacture of a violin and the movement of the mobile forms.
Then it was time for a brew. It was a pleasant day so we sat outside looking over the water (there are good views from inside the cafe too)
I liked the wooden shelters that had been built by the museum staff using boat building techniques
Leaving the museum we weren’t ready to set off for home so we drove into the village centre, parked up and went for a walk along the lake.
There is very little of the east side of Windermere where it’s possible to walk along the lakeside. Most of the land is privately owned and access isn’t possible for the hoi poloi – reflecting the theme of the exhibition we’d visited at Blackwell that morning. The main exceptions are Fell Foot, at the south end of the lake, and Cockshott Point, a stretch of parkland where we were walking at Bowness. Both of these are owned by the National Trust. Cockshott Point was bought by the Trust with the help of a certain Mrs Heelis (better known as Beatrix Potter) who sold some paintings to raise funds for the purchase. Without this intervention it would have been likely that the land would be sold to a private buyer who would have prevented access.
There’s more of a “right to roam” on the west side of the Lake (formerly in Lancashire!), but, again this is due to the intervention of the National Trust. I think a lot of people think the NT is all about preserving manor houses, but their original vision was about opening up the countryside and without them large area of the lake District and other parts of the country wouldn’t be readily accessible.
So our say in the Lakes ended as it started, with us reflecting on how access to the countryside and the lake shores is still limited and how we need to continue to campaign for the “Right to Roam”.
Interesting that at the time of the Victorian mass trespass on Latrigg, the Pall Mall Gazette referred to the number of paths closed by landowners around Windermere.
I’ve always found it disappointing that most of the east side of the lake is “out of bounds”. But last year I “discovered” the west side. Thank goodness for the NT that makes that accessible
Yes, the west side is grand, but frustrating that you couldn’t design all all-round route like Ullswater etc.
Yes indeed. You could only do that by walking on very lengthy stretches of road. Not fun!
When I read the title of this post I remembered that you had visited before – and you remembered that too ;-)). Jetty Museum is still on my list but maybe I will manage a visit when I’m staying at Howthwaite near Grasmere in September. Much as I like Blackwell and I have visited several times in the past the Jetty will be new to me. I will probably skip the art. As usual, an interesting read, thank you. Barbara
Thanks Barbara. The Jetty is in a good location. If it’s a good day, there’s good views over the lake and worth paying the extra for the boat ride on the lake.
Definitely up for the boat trip!