Joana Vasconcelos: Beyond at the YSP

It seems forever since I took a week off work but it was only 3 weeks ago. Such a lot has happened since then. The weather at the beginning of that week hadn’t been so great but by the Thursday things had brightened up and we decided we’d drive over to the Yorkshire Sculpture Park, A new exhibition had just started and we wanted to see how J’s name had weathered on the new “Walk of Art”.

It was bright and sunny when we arrived, but very windy. It continued like that for most of the day, and it was very muddy underfoot, so we didn’t spend as much time as we’d have liked walking around the grounds (in fact, the paths around the lake were closed off due to the strong wind). However, there was plenty to see in the Underground Gallery and the more sheltered areas close to it.

We parked up by the new Weston Gallery, Restaurant and Shop so we could take a look at the Walk of Art. The plates installed last summer had weathered and oxidised, blending in with the ones that had been installed earlier that year.

We set off battling against the wind across the muddy fields of the parkland over towards the old chapel and the Underground Gallery.

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We called in to the Chapel to look at the exhibition Something About Paradise by Saad Qureshi, that was due to close a few days after our visit. More about that in another post

The new main exhibition, which had only opened a few days before our visit, features works by the Portuguese artist Joana Vasconcelos. As has been the case several times during visits to the major exhibitions at the YSP, I hadn’t heard of this feminist artist. The exhibition website tells us that she

creates vibrant, often monumental sculpture, using fabric, needlework and crochet alongside everyday objects from saucepans to wheel hubs. She frequently uses items associated with domestic work and craft to comment from a feminist perspective on national and collective identity, cultural tradition and women’s roles in society.

I think that sums up what we saw very well.

The first of her works that we saw as we walked across towards the main visitor centre was this giant ceramic cockerel Pop Galo [Pop Rooster] (2016) which was inspired by the image of the Portuguese rooster.

The sculpture is over nine-metres-high and is covered by 17,000 glazed tiles. It also includes 15,000 LED lights which are illuminated at dusk while a composition by musician Jonas Runa is played. As we’d left well before dusk we weren’t able to see and hear that – perhaps we’ll have the opportunity towards the back end of the year – assuming we’re let out by then!

The large scale nature of this, and many other of her works, means that they’re necessarily a collaborative effort. The role of the artist is more of a designer than craftsperson – rather like that of an architect during the construction of a landmark building.

Moving inside the Underground Gallery the first works we saw this statue of the godess Diana covered by a cotton crotchet

and three ceramic animal heads, similarly adorned.

Moving into the first gallery there were several large works including this giant pistol made of 168 old style telephone handsets with the sound of a modern electro-acoustic composition by Jonas Runa playing. A number of the works in the exhibition incorporate music.

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Call Center (2014-16)

In the next gallery you couldn’t miss these gigantic high heel shoes made of stainless steel saucepans. The work was created for the Milan fashion show

Marilyn (2011)

and hanging from the ceiling was this massive work, inspired by the Valkyries of Norse legend, made from fabric and crocheted panels

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Valkyrie Marina Rinaldi (2014)

Another large crocheted work in the 3rd gallery

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Finisterrra (2018)

Moving outside, there were a number of large scale works on display.

This massive mask, constructed from Baroque style mirrors, was on the lawn facing the Underground Gallery.

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I’ll be Your Mirror ~1/7 (2018-20)

I wouldn’t mind a tea pot as big as this one! Although being made of wrought iron “lace work” it wouldn’t be so good for holding the tea.

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Pavilion de The (2012)

and, similarly, this jug wouldn’t be so good for storing your wine

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Pavilion de Vin (2016)

This gigantic ring, perched at the top of the lawn above the Underground Gallery, is made of hubcaps with a diamond made of whiskey glasses is a statement on consumerism and the greed for material possessions and wealth.

Solitario (2018)

The final work outdoors, sited near to Barbara Hepworth’s Family of Man, was this oversized ice cream cone constructed of plastic sand moulds of apples, pears, strawberries and croissants.

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Tutti Frutti (2019)

As is usually the case with exhibitions at the YSP, this one merits another visit. Unfortunately the park is closed now for the foreseeable future.

6 thoughts on “Joana Vasconcelos: Beyond at the YSP

  1. “Unfortunately the park is closed now for the foreseeable future.”
    But fortunately for us, we can visit vicariously with you. Love that! Now I want to go back to the YSP. (Or, well, anywhere, really!)

    • Thanks 🙂
      I think most of us will echo your final comment in brackets Mark! Lots of vicarious visits required over the next few weeks and maybe even months

  2. I like the idea of making things out of other things, particularly the pistol from old phones and the high heels from pans. Not sure what the first one says, but the latter, to me, comments on the expected dual roles of women as both glamour girl and domestic goddess. (I might as well point out here, though it should be obvious, that I have never aspired to either).

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