A couple of weeks ago, the last Saturday in May, we drove over to Liverpool. One of the things we wanted to do was to visit a National Trust property in Rodney Street, close to the centre of Liverpool. Rodney Street, a street of mainly Georgian period houses, is often referred to as the “Harley Street of Liverpool” as many of the buildings are occupied by private medical services. Gladstone, the Victorian Liberal Prime MInister was born in the street at No. 62, However, we were visiting the house at No. 59 that used to be the home of E. Chambré Hardman and his wife Margaret who were both photographers and ran a successful photography studio and business here.
Hardman was quite eccentric and after his wife died in 1979 from cancer he continued to live and work in the house, living as a virtual recluse until he died in 1988. He hardly left the house and was a hoarder, never throwing anything away, including foodstuffs! When he died he left behind an archive of more than 200,000 images. Realising the importance of the collection of photographs, the property was acquired by the National Trust in 2003. As it’s a small property, the Trust run guided tours of the house which, with the contents accumulated by the Hardmans, is a “timecapsule” of life in mid twentieth century Liverpool.
Chambré Hardman was Irish, and had been a regular soldier in India in the 1920’s where he developed an interest in photography. Returning to Britain, he set up in business with a partner, Kenneth Burrell a fellow officer in India. Although Burrell left the business within five years, but the two remained friends and Hardman continued to include his friend’s name in that of the business
Chambré Hardman first met Margaret when she cam to work with him as an assistant. Although she was much younger than him there was a mutual attraction and they eventually married. She was also a talented photographer in her own right and was very much the commercial brain which helped the business to be successful.
We’d visited some years ago but decided we’d like to take another look, so I rang and booked a tour for the Saturday afternoon. The visit started with a short talk and a video providing some background information about the Hardmans and their business followed by the guided tour of the studio, waiting rooms, darkrooms, other work rooms (the business employed a number of staff who worked here) and the Hardmans’ private living quarters. There were also examples of the Hardmans’ photographs on display.
The bread and butter of the business was taking studio portraits and clients would visit the house to have their photographs taken. The business also specialised in taking photographs of children and pets. Chambré Hardman was also employed by the Liverpool Playhouse theatre to take portraits of actors, including some relatively well known faces such as Ivor Novello and Patricia Routledge (a local girl!). The Hardmans’ passion, though, was landscape photography and they spent weekends and holidays travelling and taking photographs for their own interest. Hardman also took many photographs around and about Liverpool. There’s plenty of examples of their work on the National Trust Website
Unlike the last time we visited, photographs were allowed, but, as is usually the case, only without flash. I took some snaps, but they are generally a little dark.
The majority of the rooms in the house were devoted to the business and the Hardmans’ hobby. Although it’s clear from the outside that it’s a Georgian building, the Hardmans’ modernised and adapted the house for their business, so few original interior features remain. But the interest is in seeing how they lived and worked
This is the studio where the portraits were taken
the Hardmans’ personal dark room
The room where the commercial photographs were finished and packaged and sent to clients. It also acted as an office
And a few pictures from the Hardmans’ living quarters
Their living room
the kitchen store cupboard with items going back to WW2
Old boxes from his time in India in the cellar
Chambré Hardman died in 1988, and so was living here when I was at Liverpool University in the late 1970’s. I must have walked past more than a few times so it was particularly interesting to see what it was like inside.