Last Saturday we drove over to the Yorkshire Sculpture Park. It was our third visit this year but we wanted to see the Sean Scully exhibition that had recently opened in the Longside Gallery, with some additional works outdoors. We’d seen them starting to install one of the latter during our visit during the summer.
Sean Scully was born in Dublin, grew up in London and currently lives in the USA and Ireland. He’s best known for his abstract paintings made up of coloured stripes, rectangles and squares and we’ve seen many of his works in various galleries we’ve visited. I wasn’t aware that he also produced sculptures, so I was particularly interested to see the examples included in the YSP exhibition.
We arrived around 11 and after a brew and a cake set off over the park heading over to the Longside Gallery, which is at the far end of the park, about a mile or so walk from the main Visitor centre and car park.
There were four of his large sculptures outdoors in the park and we encountered the first of these just before we reached the lake.
Crate of Air (2018) is a large construction made of Corten steel. Unprotected from the elements it’s surface covered with red iron oxide, it’s appearance will change over time as the metal is affected by the elements and also by the light conditions, the red colour particularly standing out in the sunshine. It looks rather like an unfinished industrial structure, the sort of think that I often see during visits to some of my clients.
Carrying on down the slope we crossed the dam at the end of the Lower Lake, following the path and climbing up David Nash’s Seventy One Steps
and then walked the woods along the top of the hill, past several works of art by artists including Andy Goldsworthy.
Descending down towards the Longside Gallery we passed a group of locals who were curious to have a look at us too
Outside the Longside Gallery there was another Corten steel sculpture, Moor Shadow Stack
We entered the gallery where there were four more sculptures together with a large selection of paintings, works on paper and photographs.
Coin Stack (2018) is inspired by Scully’s childhood when his father, a barber, would bring home his tips and count them in stacks on the kitchen table. There was a sketch of the stack together with a poem which explained its origin
The other three sculptures were also stacks, but of rectangular rather than round slabs – one of wood, one of painted metal
and the third of unpainted metal, neatly stacked
The exhibition guide tells us that
Their stacked format retains the simplicity of Scully’s reduced visual language. He describes a job he did as a student, stacking flattened cardboard boxes from a supermarket into a lorry – hard, filthy work, with protruding staples lacerating his skin – but aware all the time of creating teetering sculptural forms that gradually filled the vehicle’s void with mass.
The paintings were very representative of his work – coloured strips and squares
There was also a series of photographs of dry stone walls. My immediate reaction was that they reminded me of those I’d seen during my several brief visits to Galway, and which are very different from the ones we see in the English countryside, so I wasn’t surprised to find that they’d been taken in the Aran Islands in Galway Bay, where Scully is a regular visitor
Looking at the photos it was clear that these structures, together with the horizontal patterns produced by the landscape and sky, influenced the style of Scully’s work.
After spending a good hour looking around the gallery we set off back down the hill towards the other side of the park, taking the alternate route back through the fields. At the bottom of the slope, just before the bridge between the two lakes, we saw the third of the outdoor sculptures, Dale Stone Stack, which is constructed of local stone.
The final open air work was in the lower park on the other side of the lake. Wall Dale Cubed is a massive structure also made of Yorkshire stone
My first thought was that it looked like something from the Flintstones! The Yorkshire Post compares it to
Stonehenge-style prehistoric architecture or even an ancient Inca temple.
Like his paintings it’s made up of rectangular blocks in different orientations. Lit up by the autumn sunshine, there were different colours evident (although of a more limited range than his paintings) and variations in texture. There was plenty of interest and, like the other outdoor works, it’s appearance will change over time and also with the light.
We’d seen the main exhibition in the Underground Gallery a couple of times now, so spent the rest of the afternoon walking around the grounds, looking at the outdoor sculptures, having a brew in the Visitor Centre cafe and also taking the opportunity to have a look at the exhibition of prints by Norman Ackroyd. Enough scope for another post, I think.