Strange and Familiar in Manchester

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While I was in Manchester last Saturday I called into the City Art Gallery to take a look at Strange and Familiar, an exhibition curated by Martin Parr featuring photographs of British society and culture by leading international photographers from the 1930’s onwards. It had previously been shown at the Barbican in London. It’s a large scale exhibition with over 250 photographs by 23 photographers and shown in a chronological order. There was a lot to take in and it is difficult to do justice to it in a relatively short post.

Publicity for the exhibition quotes Martin Parr as saying

“The exhibition will reveal a very different take on British life than that produced by British photographers. It is both familiar and strange at the same time.”

Having visited the exhibition a couple of times (I’d been previously not long after it first opened) I’m not certain I fully agree with him. The picture of Britain shown in the photographs from the 30’s up to the “swinging sixties” were familiar rather than strange, although taken from the perspective of International photographers from a number of countries, the photographs probably represented a realistic view of British culture and society.

The exhibition starts in the 1930’s with works by  Edith Tudor-Hart. A lifelong Socialist, her work reflected her political commitment and the exhibition includes photographs by her of ordinary people in London’s East End and living in the slum housing areas of Tyneside.

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Child Staring into Bakery Window, London ca. 1935 by Edith Tudor Hart

Other highlights for me included

  • the Dutch photographer Cas Oorthuys photographs of Cambridge, London and Oxford – commuters queuing at bus stops, bowler-hatted city workers and London markets.
  • The Swiss-American photographer Robert Frank’s photographs of a Welsh mining community
  • The Chilean photographer Sergio Larrain’s expressive, Modernist photographs of London shot from unusual angles, with ground-level viewpoints, double exposures, blurring and innovative focusing.
  • Photographs of London during the “Swinging Sixties” by American photographers Evelyn Hofer and Garry Winogrand, the German Frank Habicht  and the Italian Gian Butturini
  • The photographs of Bruce Davidson from the 60’s, especially his wonderful Girl Holding Kitten and his photographs from the Welsh mining community
  • German photographer Candida Höfer’s photogrpahs of people and places in Liverpool in the late 60’s , many of them reminiscent of when I lived in Liverpool in the mid 70’s.
  • The massive, closely cropped, stark colour portraits of ordinary people, (not exactly pretty) from Essex and West Brom

So much to see. So many excellent photographs. Much to learn from them.

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