Romeo and Juliet at Blackwell

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While we were on holiday up in the Lake District, the London based Globe Theatre’s touring company were performing Romeo and Juliet in the garden at Blackwell on three consecutive evenings, organised in conjunction with the Bowness based Old Laundry Theatre . We decided we’d like to and see it as we weren’t staying too far away.

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As we’d left booking tickets to rather late the performances on the Monday and Tuesday were fully booked but we managed to get tickets for the Wednesday. This ended up working out quite well for us. The booking website was clear that the performance would go ahead in all but the most extreme weather conditions. So we made sure we had our waterproofs with us. Luckily, we didn’t need them. Although it had rained for the first two evening the Wednesday performance started in bright sunshine and it stayed dry. However, the temperature wasn’t so warm, especially as the sun began to go down, and we needed to wrap up well. The lamb stew and coffee we bought helped to keep us warm as well.  The setting, by the side of the house with views of Windermere, Grizedale forest and the Coniston Fells was familiar to us due to our regular visits to Blackwell, but magnificent none the less.

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The play was performed by a small company of only 8 actors most (in fact, all except the two leads) had to play multiple roles, differentiated by their costumes and clever use of regional accents. They performed on a “double decker” mobile stage, very useful for the famous balcony scene but also cleverly used throughout the play. Its design was based on those used by Elizabethan companies, when most plays were performed by travelling players.

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I’ve never seen Romeo and Juliet before – either on stage or the films made of it – and never read or studied the text. But the plot was familiar to me, so there were no major surprises. I thought the ending was a little weak. The warring clans were rather quick to make up after the deaths of the two lovers, but hey, who am I to criticise the Bard!

The company pulled the humour out of the play, more so than most productions (I was told!) and there was effective use of music too. The play started and finished with the actors playing instruments and singing and music and other sound effects were used to enhance the mood throughout the performance. The two main roles were played by young actors – Juliet was only meant to be 14 after all. I thought they did well. There were strong performances from Sarah Higgins as the nurse (with a broad Scottish accent) Matt Doherty as Tybalt, Paris and a Geordie servant, Tom Kanji as Benvolio and Friar Laurence and Stephen Elder as Juliet’s father.  The latter was particularly good in the scene where he insists that Juliet marries Paris, seamlessly going from the loving father to enraged dictator.

The performance finished as it was turning dark and we had a 30 minute journey back down the country roads to our cottage.

All in all an enjoyable evening.

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