St Alfege’s church stands in the centre of Greenwich, not far from the Cutty Sark and the old Naval College. It was the first of the six London churches designed by the English Baroque architect, Nicholas Hawksmoor, who had worked with Christopher Wren and John Vanbrugh. His churches generally combine Gothic and Classical features, usually with an eccentric twist.
The current church is the third on this site. The second collapsed in 1710. The current building was begun in 1712, and consecrated in1718. It’s essentially neo-Classical with rounded windows, Doric columns and pilasters, architrave with a frieze decorated with triglyphs and a triangular pediment (look at me trying to use architectural terms!).
One departure from Classical orthodoxy is the round arch that penetrates the architrave and the pediment on the front of the building.
The tower wasn’t designed by Hawksmoor. The medieval tower from the previous church was retained to save money. However it was modified in 1730 by another architect, John James who had it refaced and added the spire.
Hawksmoor’s design, published in an engraving in 1714 had an octagonal lantern at the top, a design he used on a later church, St George in the East, over the river in Wapping.
There’s a nice sketch of the spire of St Alfege’s here on a blog that also has some sketches of other Hawksmoor churches.
Unfortunately, we didn’t manage to get a look inside as the church was closed. But here’s a picture from Wikipedia.
On our way back on the Docklands Light Railway, changing lines at Westferry I spotted the tower of another Hawksmoor church, St Anne’s, Limehouse.
If we’d have had time, I would have wandered over to take a proper look, but that will have to wait until another occasion. Visiting Hawksmoor’s churches is one of the items on my “bucket list”.
When I was over in London earlier in the year, I had a look at an exhibition of photographs and models of the Hawksmoor churches, “Nicholas Hawksmoor: Methodical Imaginings” showing at Somerset House. It closes on 1 September, but there are reviews of the exhibition here and here.